To What Extent might Globalization be seen as Disadvantageous to Our Essay

To What Extent might Globalization be seen as Disadvantageous to Our Society - Essay Example Before moving on, there is a dire need to define what globalization, in essence, is - globalization is a term which encompasses a number of difficult series of economic, social, technological, cultural and political changes that have been happening from time to time on the global front. These changes have seen some serious strides that have been made with regards to increasing interdependence as well as mergers and interacting units between people from different locations and companies with diversified interests. The term started to take form in the year 1944 but it was not before the year 1981 that the economists actually started using it. The main person responsible for coining the term globalization is considered to be Theodore Levitt. Furthermore, in an economic zone, globalization plays a significant role in increasing trade on an international front which as compared to the global economy, is much faster and ahead of its time. In addition, one can predict an increase in the flow of capital that has been coming from the global regimes which might include the foreign direct investment as being one part of it. Moving on, there are the agreements which are signed on a global scale that eventually lead to world bodies like the World Trade Organization (WTO) and others. Global financial systems also come to light as their developmental work gets thumbs up. International transactions speed up as the world bodies like WTO, WIPO, IMF and the like play their role in a more coherent and active manner. Economic practices like global sourcing or outsourcing as we know of it, off-shoring and others increase courtesy the multinational concerns. Hence poverty-driven mechanisms are enacted but not followed to the extreme core, t hus resulting in the poor masses which are spread in every nook and corner of the world today. Â  

The Influence of Classical Theorists on Contemporary Culture Assignment

The Influence of Classical Theorists on Contemporary Culture - Assignment Example The fast success of the movement garnered the support and sympathy of ordinary citizens to oppose the unfairness of the cuts and tax evasion tactics of the affluent. Lessons Learned from the Uncut Movement Aside from the glaring injustice of the tax restrictions on public spending, the significant and relevant models that can be seen in this phenomenal development in this example are the fundamental beliefs on economics and social change, class relations of capitalism and the theory of Hegemony. According to Antonio Gramsci, an Italian Marxist philosopher, hegemony is the permeation throughout society of an entire system of values, attitudes, beliefs, and morality that has the effect of supporting the status quo in power relations. Hegemony is an organizing principle diffused by the process of socialization into every area of daily life. To the extent that this prevailing consciousness is internalized by the population, it becomes part of what is normally known as common sense so tha t the philosophy, culture, and morality of the ruling elite appear as the natural order of things.  (Boggs  1976 p.39) This Uncut protest action is a classic example of the concepts of classical thinkers notably Karl Marx, Georg Wilhelm Freidrich Hegel and Gramsci regarding the basic beliefs mentioned earlier. Hegel aptly described the state in modern societies as the highest form of social reason. It represents the culmination of progress through history and the fact that the state is able to integrate self-interested members of civil society, who if left to themselves would be interested only in pursuing the personal goals of personal enrichment. (Callinicos, 2007 p.46) Karl Marx has a relevant discourse that elucidates the circumstances surrounding the reaction of the people towards the matter of reductions in public expenditures and tax avoidance by the moneyed sector. The economic basis of the social order must be seen as a complex totality made up of relationships between different elements engaged in production. â€Å"The totality of these relations of production constitutes the economic structure of society, the real foundation, on which arises a legal and political superstructure and to which correspond definite forms of social consciousness. The mode of production of material life conditions the general process of social, political and intellectual life. It is not the consciousness of men that determines their existence, but their social existence that determines their consciousness.† (Morrison, Marx, Weber and Durkheim, 2006, pp. 214-216)).

SDLC methodology for designing a system Essay Example for Free

SDLC methodology for designing a system Essay The primary objective is to evaluate the SDLC methodology for designing a system. Prior to building a system, a set of methodology is essential in keeping the process kicking in right force so that it adheres to entire coverage and successful completion of tasks. It demands professional approach in planning, building and operating a system. SDLC methodology which encompasses several techniques in making the system travel smooth, processing the various steps required in putting together a system successfully. The spiral model which is a flavor of SDLC techniques corresponds in designing a system where business requirements are volatile in nature and communication with external entities is a priority. The spiral model would take into account all the primary steps in building a deliverable every time it completes a circle. Once it is finished with the planning and analysis phase the risk analysis task is taken in the picture. It is followed by engineering, construction and release, customer evaluation and finally customer communication. Once a cycle is covered, it results in a deliverable which is further processed upon customer communication and feedback. The SWOT analysis of the spiral model would contemplate the coverage of whether it can be taken up as a viable option in designing a system. The following is the analysis: Â · Strengths: The business environments are seldom volatile in nature where the requirements are ever changing and are adding every moment to expand their scope and stay competitive in the market. The spiral model would make sure that the proposed system is prone to changes. It provides enough mechanism to take into account the changes in the customers’ environment and act accordingly. Unlike other SDLC methods where the business requirements are completely taken as standstill when taking into account the building of the system. Unlike the waterfall model where the design stages are non-reversible in nature, once the stage is surpassed it cannot be revisited again. Â · Weaknesses: The weaknesses of the spiral model are that it is quite expensive in nature as every deployment is revisited with the spiral cycle once it receives a customer communication and feedback. It demands quite risk assessment expertise. The time taken to build the complete system is considerable high as for every new requirement is cycled all through from planning to implementation. The consumption of resources is substantially large as all the developmental stages are followed for creating a version of the system in every cycle. Â · Opportunities: The opportunities of using the spiral model are relatively high in comparison to the other models in use. The business external environment is fast changing to the requirements and enveloping newer challenges to analyze their market and take risks to prosper. In this situation having a flexible system development strategy would make it easy to design and build a system susceptible to frequent changes with changing business requirements. Taking into account the other methods available in the market, the spiral model would stand out in the crowd. Â · Threats: The other prototyping methods like RAD and Incremental methods of SDLC pose a threat to spiral method. The incremental approach is quite complex in operation but its flexibility is quite high in solving discrepancies. The RAD methodology is quite popular in SDLC but is not prone to taking the frequent changes into consideration which is a drawback.

The Importance Of A Business Strategy

The Importance Of A Business Strategy Travis Bell Deborah Thigpen Why Is Strategy Important To Business? Introduction Vital arranging is necessary to business achievement. It includes vision, mission and outside-of-the-crate considering. Essential arranging is characterized as the arrangement of choices and activities that outcome in the detailing and usage of agreements intended to accomplish an organizations targets. Be that as it may, without knowing where you need to go, making subtle elements on the most proficient method to land at a goal is good for nothing. Key arranging depicts the bearing to where your organization is heading. The Fundamental Parts of the Vital Administration Prepare Functional-level procedures are worried about dealing with the useful zones of the association, for example, item or administration improvement and configuration, advertising and sales, fund, HR, creation, innovative work, and so forth., so that each capacity maintains to specific specialty unit methodologies and the general corporate-level system. Functional procedures are fundamentally worried about these matters: Productively sending authorities inside the functional range. Incorporating exercises inside the utilitarian region. Ensuring that useful procedures connect successfully and proficiently with business techniques and the general corporate-level methodology. Business-level systems are like corporate-techniques in that they concentrate on overall execution. As particular from corporate-level technique, be that as it may, they focus on only one rather than a scope of organizations. The corporate level methodology of a multi-division operation resembles a system for dealing with a speculation portfolio. Specialty units are typically singular venture like substances arranged toward an industry, item or administration sort, and additionally, advertise. Business-level methodologies are in this manner mostly worried about these things: Overseeing unit exercises, so they adjust to hierarchical corporate level techniques, in some cases incorporating collaboration with different specialty groups to accomplish key cooperative energy. Creating capacities, assets, and the upper hand in every unit. Recognizing item or administration showcase openings and creating techniques for prevailing in each. Checking the business condition with the goal that methodologies fit in with the requirements of the firm sectors at the present phase of advancement. Corporate level procedure covers the critical extent of the association all in all. For most associations, the necessary organizational arrangement is the primary key agreement required. Regularly technique at the corporate level is mainly alluded to as a corporate procedure, or in brought together organizations the corporate business system. The method that produces it is called vital corporate arranging, or in some cases primarily corporate arranging. In a couple of circumstances anyway, it might be defended to talk about the business level system to recognize it from different sorts of arranging. The Significance of Having a Business Methodology A business system, in straightforward terms, is an archived anticipate how an association is embarking to accomplish their objectives. A business procedure contains a various key rule that diagrams how an organization will approach achieving these goals. For instance, it will clarify, how to manage your rivals, take a gander at the necessities and desires of clients, and will analyze the long-haul development and supportability of their association. The motivation behind why having a procedure is so vital is because it gives business time to get a feeling of how they are performing, what their capacities are, and if these abilities can help them develop. The Associations Vision, Mission, Reason, Qualities, Objectives, and Theory Even though we habitually discuss mission and vision in the first place, the major primary establishment for both is our center qualities. Center classes are the standards and norms at the extremely focal point of our character, and from which we wont move or stay. Center classes are to a significant degree stable and change just gradually over drawn out stretches of time. Center qualities frame the premise of our convictions about existence, ourselves and people around us, and the human capability of ourselves as well as other people. Conditions and opinions shape our states of mind and guide our conduct. The practices we take part in are what individuals around us see, alongside our abilities and activities. Our external or open shell of practices and attitude can change quickly and drastically through our lives, impacted by our condition and guided by our steadier center qualities and convictions. Vision While a mission is an announcement of what is, a dream is a prediction of what or how you might want things to be. A photo without bounds youre attempting to make, what you need to be the point at which you grow up, what you need your business to turn into. Without a dream of where youre going how might you build up an arrangement to arrive and in what capacity will you know when youve reached? Without a dream of where we might want to be, we can keep climbing different trails through life, climbing mountain after mountain, just to find each time that weve arrived someplace we honestly would prefer not to be. A statement of purpose mirrors the center qualities and convictions of the People who lead the business. To the degree, there are huge contrasts between a ranch reason and an individual mission, or between homestead business qualities and single center qualities, there will be disagreement and grinding for that person inside the firm. Regardless of whether youre a proprietor, a worker or an advisor, one approach to help guarantee satisfaction and satisfaction at work is to be sure your qualities and mission are in arrangement with those of the business. Individuals have been known to end up plainly physically sick from the worry of working in a business where their center qualities were inconsistent with the qualities and morals rehearsed in the firm. The Key Procedure As Contribution For Future Basic Leadership 2 Objectives and targets make the nibble measure pieces, the guide furthermore, sensible venturing stones to accomplish the mission, make the vision a reality, furthermore, explore the course we have set for our business, or for ourselves. The Associations Vision, Mission, Reason, Qualities, Objectives, and Theory To begin with, mission and vision give a vehicle to imparting an associations motivation and qualities to every single key partner. Partners are those key gatherings who have some impact over the association or stake in its future. You will take in more about partners and partner examination later in this section; nonetheless, for the time being, suffice it to state that some key partners are workers, clients, financial specialists, providers, and establishments, for example, governments. Commonly, these announcements would be broadly coursed and talked about frequently so that their importance is comprehended, shared, and disguised. The better workers comprehend an associations motivation, through its main goal and vision, the better capable they will be to comprehend the procedure and its execution. Second, mission and vision make an objective for strategy improvement. That is, one rule of a decent arrangement is how well it helps the firm accomplish its order and vision. To better comprehend the relationship among mission, vision, and technique, it is here and there accommodating to imagine them all in all as a pipe. At the broadest piece of the pipe, you discover the contributions to the statement of purpose. At the smaller piece of the pipe, you find the vision proclamation, which has refined down the mission in a way that it can direct the improvement of the system. In the tightest piece of the pipe, you discover the methodology it is clear and unequivocal about what the firm will do, and not do, to accomplish the vision. Vision explanations additionally give an extension between the mission and the methodology. In that sense the best vision proclamations make pressure and fretfulness about the present state of affairs that is, they ought to cultivate a soul of constant adva ncement and change Conclusion To be compelling objectives and goals must be composed. On the off chance that they arent in composing, theyre only thoughts with no absolute power or conviction behind them. Composed objectives and destinations give the inspiration to accomplish them and can then be utilized as a suggestion to you and others. Plainly and expressly composed, they likewise wipe out disarray and misjudging. In like manner in business, its troublesome or difficult to concede to important or even strategic choices if everybody in the firm proprietors, chiefs, relatives, workers are not all headed in a similar course, at a similar mission and vision. On the off chance that a family, business, or a group doesnt have a typical heading mission, vision and center qualities contentions will happen to encompass about each choice, and assertions might be unthinkable. Creating shared mission, vision and qualities is the initial phase of establishing a framework for settling on important and strategic choices that will advance the business. Having them set up wont dispose of contentions and differences, yet in any event, the contradiction will be about how to best get to a similar endpoint rather than heading in inverse bearings. References Why Business Strategy Is Important? Evolve. evolve. N.p., 2017. Web. 25 Mar. 2017. Corporate Level Strategy Guides The Organization As A Whole. Simply-strategic-planning.com. N.p., 2017. Web. 26 Mar. 2017. Principles Of Management 1.0 | Flatworld. FlatWorld. N.p., 2017. Web. 27 Mar. 2017.

Role of Women in Uzbekistan Essay -- essays research papers

Role of Women in Uzbekistan   Ã‚  Ã‚  Ã‚  Ã‚  Women’s roles are not the same in different cultures. Most important is that women in Uzbekistan, where the population of Muslim people were from 50 % up to 70 %, made the big progress in eighty years. From that time women started to become more free in education, marriage, and fashion than they used to be eighty years ago.   Ã‚  Ã‚  Ã‚  Ã‚  The education has also changed since the 1910s. In the 1910s girls had separate schools from boys, and they could only get education in middle-schools not going anywhere further in level of study. A lot of girls couldn’t attend the schools at all. In the history books says that each class had about five to ten girls, half of the girls stayed at home with their family or grandparents. Now we have a lot of schools and they are not separated. Today all Muslim girls and boys go to same schools together with all other students. They also can go farther in level of study. A lot of Muslim girls and women go to university after High School and earning degrees and becoming scientists, writers, musicians, teachers and simply excellent mothers. It is a really big change for women. I think I know why they did this changes, its because they wanted to be more educated and be equal to men.   Ã‚  Ã‚  Ã‚  Ã‚  Marriage has also changed a lot. Eighty years ago women had to stay at home and do the house work. A woman couldn’t see any men except her father or brother until ...

Audience Reactions and Attitudes to Much Ado About Nothing Essay

In â€Å"Much Ado About Nothing† Shakespeare captures many of the social standards in Elizabethan society whether they are fair or not. In Act 2 Scene 2 of the play, Don John plots to frame Hero and make it look like she has been unfaithful to her fiancà ©e the night before they are due to marry. This then sparks outrage from the male characters, which in turn shows a male bias in their society. The way Hero’s father takes a mans word over hers shows how strong trust and respect was for men compared to that shown towards women. Even though this play was written in a time when England was ruled by a woman (Queen Elizabeth) society was still dominated by men. Even Queen Elizabeth said she had the stomach of a man, implying that men are tougher than women purely because they are of a different gender. This left women with two roles in society; they were seen as prostitutes to be bought or wives to be owned. On top of this, women were also used as scapegoats for the faults of the world, this idea spawns from the beginning of time and Eve eating the apple and having mankind banished from the garden of Eden. This attitude is similar to the opinion of the Nazis towards the Jews, blaming the Jews for all the bad and evil in the world. At the start of act 4 scene 1, the arranged marriage between Claudio and Hero is about to take place, Claudio, Don Pedro and Don Pedro think that Hero has been unfaithful and is no longer a virgin. However, they have been misled and the other characters are not yet aware of their feelings. As Claudio turns down Hero at the altar and lets everyone know, men’s attitudes towards women become clear. The first person to speak on the subject is Claudio, he turns to Leonato and says â€Å"Give me this maid your Daughter?† He is making a statement because as far as he knows Hero is not a â€Å"Maid† (virgin), he is challenging Leonato because he has been given Hero like a gift but she is not what he expected. This quote is also interesting because is shows us that women are seen as possessions of their fathers. Claudio has to ask for permission from her father to â€Å"give† Hero to him, almost like a present. This would spark a  reaction with a modern day audience as women are now seen as equals and independent in society. However, in Elizabethan times this is what they were used to so they would probably not give it a second thought. Claudio then refers to Hero as â€Å"a rich and precious gift,† this confirms what I have already said that women were seen as possessions to be given to people. Claudio then goes on to say, â€Å"Give not this rotten orange to your friend.† He is using the orange as a metaphor for Hero, a rotten orange can appear fine until you peel it or taste it and see what is inside. He is saying that Hero appeared to be an innocent virgin but now he has seen that maybe that isn’t true. He is saying she is â€Å"spoilt goods.† However, this quote also shows us that Claudio is putting part of the responsibility of Hero’s actions onto Leonato, he is saying that Leonato should not have given a woman who isn’t a virgin to him. Because Leonato gave Hero to Claudio like a gift he is now responsible for any mishaps she may have with Claudio. This really shows how women were thought of as objects, that a woman could be compared to an orange, which is amongst the lowest forms of living things. I think this would have an impact on a modern audience as they would be more sensitive towards sexist treatment of women, and women being treated as objects. Claudio then uses Dian and Venus to show what he thinks of Hero. He says that Hero â€Å"seemed† like Dian, Dian was a true virgin so he is using this imagery to show that he feels Hero deceived his as being a virgin. He then uses Venus the adulteress as the other extreme, saying that Hero is more intemperate than Venus. These two extremes give us a scale on which to picture Hero he has given us the best (Dian) and the worst (Venus), he has then left us thinking that Hero is at the worst end of the scale with Venus. Claudio later says, â€Å"like a maid she blushes there,† he is saying she is deceitful, pretending to be a virgin when she isn’t. I think this would be effective both modern and Elizabethan audiences because of the frustration it makes an audience feel. The â€Å"dramatic irony† would be especially popular with an Elizabethan audience as it was a popular form of humour at the time and common in Shakespeare’s comedies. The audience really feel Hero’s frustration because they know that she is innocent and have to watch on helplessly as Claudio makes a huge mistake because the audience know more than his character does. One of the first real comments on the situation by Leonato is, â€Å"Hath no man’s dagger here a point for me?† This really shows the shame Leonato feels that his own daughter has done such a thing; it also shows how he feels it is all about him. He is not worried about his daughter but by how she has affected him, she has damaged his honour and pride, these things would have been very important in Elizabethan times and not something you can get back as easily as you can lose. This shows the importance in Elizabethan England of the family name and how you can be judged by your name. It also shows the responsibility Leonato has for giving his â€Å"wanton† daughter to Claudio, he wants to kill himself due to the shame and guilt she he has brought upon himself because of his daughter. Leonato next says, â€Å"death is the fairest cover for her shame,† he feels that she has brought such shame upon herself that it would be fair for her to die for it. This woul d have a large impact upon an audience, for them to hear a father saying his daughter should die before he even hears her side of the story or even before he really finds out what has happened. It is especially effective because the audience knows that she is innocent and the fact that she is being told she should die for her crime leads the audience to think that there is no justice. However, an Elizabethan audience may sympathise with Leonato as they would be likely to react in a similar way if it happened to them, as this play is a real reflection of Elizabethan society it would have happened therefore his situation would be very real to them. Leonato then has a long speech in which he seems to no longer love his daughter, where shortly before the wedding he could not have been happier for her. This really shows the strength of opinions on pre-marital sex and adultery in Elizabethan times. Probably one of the most shocking and effective statements made by Leonato in his speech is, â€Å"Myself would on the reward of reproaches strike at thy life.† If it was not shock enough to an audience to hear Leonato say he it was fair for his daughter to die, he is now saying that he is willing to kill her himself. Especially in modern times it is almost unthinkable for a mentally sane father to threaten his daughter with death when he cannot be 100% sure that she is guilty of what is a unthinkable crime. This shows us two things,  firstly it shows yet again how strong views were on adultery, but it also shows us how strong a man’s word was against a woman’s in Elizabethan England. Leonato is threatening to kill his daughter purely on the word of a few men who he does not know that well, he wont believe his daughter who he has raised and known all her life. It is like he has just switched of all his love and trust for his daughter, this shows that he values his respect and honour more than he values her. Friar Francis is interesting in this scene because as a vicar he is maybe expected to speak the side of the church, which we would expect to be very against what Hero has allegedly done. However, Friar Francis plays the middle man in the way that he does not condone what she has supposed to have done. But he sees that she may not be guilty of the accusations so he defends her when almost nobody else will. This may be to represent the church as a voice of reason and as a comfort in times of trouble, the belief that if she has done wrong then God will right it himself. The first thing Friar Francis says during the accusations is â€Å"have comfort lady,† the audience will be relieved that someone is seeing reason and will possibly warm to the character of the Friar. However, they might be slightly shocked to see this comfort coming from a man of the church as it does say in the bible â€Å"thou shalt not commit adultery.† After everyone has said what they think about Hero , Friar Francis interrupts with â€Å"hear me a little.† The effect of this is almost like a hero coming to the rescue, he has seen that Hero is defenceless and he now steps in to reason with everyone and protect her. He refers to her â€Å"maiden truth,† this shows us that he really has faith in her as a person while everyone else takes the word of the princes. By â€Å"maiden truth† he is saying that she is telling the truth when she says she is a virgin, this is interesting from an audience perspective because they would expect these words to come from her father. Friar Francis then makes a plan to save Hero’s dignity. He decides that they should pretend that she died with shock or shame and then Claudio would feel guilty and love her more than when she was alive. They can then reveal that she is still alive and they can happily marry again. At this point it becomes clear why Friar Francis has to be the one to save Hero, it is because he is a trusted man in society and seen as a respectable figure of the church. This puts him in a  position to advise people as Benedick says after the Friar’s speech, â€Å"Signior Leonato, let the Friar advise you.† It works as they all agree with his idea and the Friar has saved Hero from shame making himself almost the true Hero of the play. When you analyse Hero’s self defence and appeal of innocence it becomes less surprising that she was thought to be guilty and that the mans words were taken over hers. Her defence is weak and spoken with little passion or convincing tone, she says very little to her defence except that she is guilty but cannot prove it or offer any alternative solution to how the mistake came about. She says, â€Å"O God defend me,† this shows how helpless she is that she is calling upon God to help her because she cannot help herself. This may make an audience angry because she is so weak, especially in a modern audience where women are seen as stronger and more independent. Women were seen as the weaker gender in Elizabethan society but with Hero’s terrible defence and cry to God for help, she is causing herself to be treated weak because she is acting in that way. I think that audiences would also be amazed at the happy ending to the play when Hero appears to accept the mistakes that were made and forgive for the insults they made without a second thought. This really shows how weak she is and how she is expected to react as a female. An audience would be expecting her to make some kind of speech at the end along the lines of â€Å"I told you so† or something on the way she was appallingly treated by most of the men. However, she says nothing and is happily married to Claudio forgetting about anything that was previously said. I feel this would shock an audience because it gives the message that you can treat women like that and get away with it because they are in no position to argue back. An Elizabethan audience may expect her to be submissive because it is what they are used to, however, a modern audience would be disappointed in the message she is giving. They would be especially disappointed because they have seen Beatrice act strongly and independently against the stereotype placed on women, this makes Hero look even worse because if Beatrice has managed to be strong then there is no reason why Hero cant do the same. I found that what was most shocking in this play was not how the Hero was treated, but how she was representing women and just took all the mislead abuse without any kind of defence or anger. What I found interesting about this play is how it appears to have different appeals for a modern audience and an Elizabethan audience. I felt that a modern audience would be very sympathetic on Hero’s side but also slightly angry at her lack of defence and self respect. They would also feel shocked by the male characters and their treatment of Hero as a woman. However, an Elizabethan audience would sympathise with Hero because she is innocent but they would not be shocked by her lack of defence as that is what they would expect in their society. Similarly, they would sympathise with Leonato and the men where we would be angry, this is because they would be used to a similar reaction in their lives if a woman was thought to have been unfaithful. They would understand the shame Leonato feels in the play. This shows how amazingly Shakespeare can cross not just generation but centuries, his plays are made to entertain a wide range of people with different beliefs and social or religious views. I believe that it is because of this that Shakespeare is seen as one of the greatest playwrights of all time.

The Twilight Saga 2: New Moon Chapter 19 HATE

WE MADE OUR FLIGHT WITH SECONDS TO SPARE, AND THEN the true torture began. The plane sat idle on the tarmac while the flight attendants strolledso casuallyup and down the aisle, patting the bags in the overhead compartments to make sure everything fit. The pilots leaned out of the cockpit, chatting with them as they passed. Alice's hand was hard on my shoulder, holding me in my seat while I bounced anxiously up and down. â€Å"It's faster than running,† she reminded me in a low voice. I just nodded in time with my bouncing. At last the plane rolled lazily from the gate, building speed with a gradual steadiness that tortured me further. I expected some kind of relief when we achieved liftoff, but my frenzied impatience didn't lessen. Alice lifted the phone on the back of the seat in front of her before we'd stopped climbing, turning her back on the stewardess who eyed her with disapproval. Something about my expression stopped the stewardess from coming over to protest. I tried to tune out what Alice was murmuring to Jasper; I didn't want to hear the words again, but some slipped through. â€Å"I can't be sure, I keep seeing him do different things, he keeps changing his mind A killing spree through the city, attacking the guard, lifting a car over his head in the main square mostly things that would expose themhe knows that's the fastest way to force a reaction† â€Å"No, you can't.† Alice's voice dropped till it was nearly inaudible, though I was sitting inches from her. Contrarily, I listened harder. â€Å"Tell Emmett no Well, go after Emmett and Rosalie and bring them back Think about it, Jasper. If he sees any of us, what do you think he will do?† She nodded. â€Å"Exactly. I think Bella is the only chanceif there is a chance I'll do everything that can be done, but prepare Carlisle; the odds aren't good.† She laughed then, and there was a catch in her voice. â€Å"I've thought of that Yes, I promise.† Her voice became pleading. â€Å"Don't follow me. I promise, Jasper. One way or another, I'll get out And I love you.† She hung up, and leaned back in her seat with her eyes closed. â€Å"I hate lying to him.† â€Å"Tell me everything, Alice,† I begged. â€Å"I don't understand. Why did you tell Jasper to stop Emmett, why can't they come help us?† â€Å"Two reasons,† she whispered, her eyes still closed. â€Å"The first I told him. We could try to stop Edward ourselvesif Emmett could get his hands on him, we might be able to stop him long enough to convince him you're alive. But we can't sneak up on Edward. And if he sees us coming for him, he'll just act that much faster. He'll throw a Buiclc through a wall or something, and the Volturi will take him down. â€Å"That's the second reason of course, the reason I couldn't say to Jasper. Because if they're there and the Volturi kill Edward, they'll fight them. Bella.† She opened her eyes and stared at me, beseeching. â€Å"If there were any chance we could win if there were a way that the four of us could save my brother by fighting for him, maybe it would be different. But we can't, and, Bella, I can't lose Jasper like that.† I realized why her eyes begged for my understanding. She was protecting Jasper, at our expense, and maybe at Edward's, too. I understood, and I did not think badly of her. I nodded. â€Å"Couldn't Edward hear you, though.'† I asked. â€Å"Wouldn't he know, as soon as he heard your thoughts, that I was alive, that there was no point to this?† Not that there was any justification, either way. I still couldn't believe that he was capable of reacting like this. It made no sense! I remembered with painful clarity his words that day on the sofa, while we watched Romeo and Juliet kill themselves, one after the other. I wasn't going to live without you, he'd said, as if it should be such an obvious conclusion. But the words he had spoken in the forest as he'd left me had canceled all that outforcefully. â€Å"If he were listening,† she explained. â€Å"But believe it or not, it's possible to lie with your thoughts. If you had died, I would still try to stop him. And I would be thinking ‘she's alive, she's alive' as hard as I could. He knows that.† I ground my teeth in mute frustration. â€Å"If there were any way to do this without you, Bella, I wouldn't be endangering you like this. It's very wrong of me.† â€Å"Don't be stupid. I'm the last thing you should be worrying about.† I shook my head impatiently. â€Å"Tell me what you meant, about hating to lie to Jasper.† She smiled a grim smile. â€Å"I promised him I would get out before they killed me, too. It's not something I can guaranteenot by a long shot.† She raised her eyebrows, as if willing me to take the danger more seriously. â€Å"Who are these Volturi?† I demanded in a whisper. â€Å"What makes them so much more dangerous than Emmett, Jasper, Rosalie, and you?† It was hard to imagine something scarier than that. She took a deep breath, and then abruptly leveled a dark glance over my shoulder. I turned in time to see the man in the aisle seat looking away as if he wasn't listening to us. He appeared to be a businessman, in a dark suit with a power tie and a laptop on his knees. While I stared at him with irritation, he opened the computer and very conspicuously put headphones on. I leaned closer to Alice. Her lips were at my ears as she breathed the story. â€Å"I was surprised that you recognized the name,† she said. â€Å"That you understood so immediately what it meantwhen I said he was going to Italy. I thought I would have to explain. How much did Edward tell you?† â€Å"He just said they were an old, powerful familylike royalty. That you didn't antagonize them unless you wanted to die,† I whispered. The last word was hard to choke out. â€Å"You have to understand,† she said, her voice slower, more measured now. â€Å"We Cullens are unique in more ways than you know. It's abnormal for so many of us to live together in peace. It's the same for Tanya's family in the north, and Carlisle speculates that abstaining makes it easier for us to be civilized, to form bonds based on love rather than survival or convenience. Even James's little coven of three was unusually largeand you saw how easily Laurent left them. Our kind travel alone, or in pairs, as a general rule. Carlisle's family is the biggest in existence, as far as I know, with the one exception. The Volturi. â€Å"There were three of them originally, Aro, Caius, and Marcus.† â€Å"I've seen them,† I mumbled. â€Å"In the picture in Carlisle's study.† Alice nodded. â€Å"Two females joined them over time, and the five of them make up the family. I'm not sure, but I suspect that their age is what gives them the ability to live peacefully together. They are well over three thousand years old. Or maybe it's their gifts that give them extra tolerance. Like Edward and I, Aro and Marcus are talented.† She continued before I could ask. â€Å"Or maybe it's just their love of power that binds them together. Royalty is an apt description.† â€Å"But if there are only five† â€Å"Five that make up the family,† she corrected. â€Å"That doesn't include their guard.† I took a deep breath. â€Å"That sounds serious.† â€Å"Oh, it is,† she assured me. â€Å"There were nine members of the guard that were permanent, the last time we heard. Others are more transitory. It changes. And many of them are gifted as wellwith formidable gifts, gifts that make what I can do look like a parlor trick. The Volturi chose them for their abilities, physical or otherwise.† I opened my mouth, and then closed it. I didn't think I wanted to know how bad the odds were. She nodded again, as if she understood exactly what I was thinking. â€Å"They don't get into too many confrontations. No one is stupid enough to mess with them. They stay in their city, leaving only as duty calls.† â€Å"Duty?† I wondered. â€Å"Didn't Edward tell you what they do?† â€Å"No,† I said, feeling the blank expression on my face. Alice looked over my head again, toward the businessman, and put her wintry lips back to my ear. â€Å"There's a reason he called them royalty the ruling class. Over the millennia, they have assumed the position of enforcing our ruleswhich actually translates to punishing transgressors. They fulfill that duty decisively.† My eyes popped wide with shock. â€Å"There are rules?† I asked in a voice that was too loud. â€Å"Shh!† â€Å"Shouldn't somebody have mentioned this to me earlier?† I whispered angrily. â€Å"I mean, I wanted to be a to be one of you! Shouldn't somebody have explained the rules to me?† Alice chuckled once at my reaction. â€Å"It's not that complicated, Bella. There's only one core restrictionand if you think about it, you can probably figure it out for yourself.† I thought about it. â€Å"Nope, I have no idea.† She shook her head, disappointed. â€Å"Maybe it's too obvious. We just have to keep our existence a secret.† â€Å"Oh,† I mumbled. It was obvious. â€Å"It makes sense, and most of us don't need policing,† she continued. â€Å"But, after a few centuries, sometimes one of us gets bored. Or crazy. I dor't know. And then the Volturi step in before it can compromise them, or the rest of us.† â€Å"So Edward† â€Å"Is planning to flout that in their own citythe city they've secretly held for three thousand years, since the time of the Etruscans. They are so protective of their city that they don't allow hunting within its walls. Volterra is probably the safest city in the worldfrom vampire attack at the very least.† â€Å"But you said they didn't leave. How do they eat?† â€Å"They don't leave. They bring in their food from the outside, from quite far away sometimes. It gives their guard something to do when they're not out annihilating mavericks. Or protecting Volterra from exposure† â€Å"From situations like this one, like Edward,† I finished her sentence. It was amazingly easy to say his name now. I wasn't sure what the difference was. Maybe because I wasn't really planning on living much longer without seeing him. Or at all, if we were too late. It was comforting to know that I would have an easy out. â€Å"I doubt they've ever had a situation quite like this,† she muttered, disgusted. â€Å"You don't get a lot of suicidal vampires.† The sound that escaped out of my mouth was very quiet, but Alice seemed to understand that it was a cry of pain. She wrapped her thin, strong arm around my shoulders. â€Å"We'll do what we can, Bella. It's not over yet.† â€Å"Not yet.† I let her comfort me, though I knew she thought our chances were poor. â€Å"And the Volturi will get us if we mess up.† Alice stiffened. â€Å"You say that like it's a good thing.† I shrugged. â€Å"Knock it off, Bella, or we're turning around in New York and going back to Forks.† â€Å"What?† â€Å"You know what. If we're too late for Edward, I'm going to do my damnedest to get you back to Charlie, and I don't want any trouble from you. Do you understand that?† â€Å"Sure, Alice.† She pulled back slightly so that she could glare at me. â€Å"No trouble.† â€Å"Scout's honor,† I muttered. She rolled her eyes. â€Å"Let me concentrate, now. I'm trying to see what he's planning.† She left her arm around me, but let her head fall back against the seat and closed her eyes. She pressed her free hand to the side of her face, rubbing her fingertips against her temple. I watched her in fascination for a long time. Eventually, she became utterly motionless, hei face like a stone sculpture. The minutes passed, and if I didn't know better, I would have thought she'd fallen asleep. I didn't dare interrupt her to ask what was going on. I wished there was something safe for me to think about. I couldn't allow myself to consider the horrors we were headed toward, or, more horrific yet, the chance that we might failnot if I wanted to keep from screaming aloud. I couldn't anticipate anything, either. Maybe, if I were very, very, very lucky, I would somehow be able to save Edward. But I wasn't so stupid as to think that saving him would mean that I could stay with him. I was no different, no more special than I'd been before. There would be no new reason for him to want me now. Seeing him and losing him again I fought back against the pain. This was the price I had to pay to save his life. I would pay it. They showed a movie, and my neighbor got headphones. Sometimes I watched the figures moving across the little screen, but I couldn't even tell if the movie was supposed to be a romance or a horror film. After an eternity, the plane began to descend toward New York City. Alice remained in her trance. I dithered, reaching out to touch her, only to pull my hand back again. This happened a dozen times before the plane touched town with a jarring impact. â€Å"Alice,† I finally said. â€Å"Alice, we have to go.† I touched her arm. Her eyes came open very slowly. She shook her head from side to side for a moment. â€Å"Anything new?† I asked in a low voice, conscious of the man listening on the other side of me. â€Å"Not exactly,† she breathed in a voice I could barely catch. â€Å"He's getting closer. He's deciding how he's going to ask.† We had to run for our connection, but that was goodbetter than having to wait. As soon as the plane was in the air, Alice closed her eyes and slid back into the same stupor as before. I waited as patiently as I could. When it was dark again, I opened the window to stare out into the flat black that was no better than the window shade. I was grateful that I'd had so many months' practice with controlling my thoughts. Instead of dwelling on the terrifying possibilities that, no matter what Alice said, I did not intend to survive, I concentrated on lesser problems. Like, what I was going to say to Charlie if I got back:' That was a thorny enough problem to occupy several hours. And Jacob? He'd promised to wait for me, but did that promise still apply? Would I end up home alone in Forks, with no one at all? Maybe I didn't want to survive, no matter what happened. It felt like seconds later when Alice shook my shoulderI hadn't realized I'd fallen asleep. â€Å"Bella,† she hissed, her voice a little too loud in the darkened cabin full of sleeping humans. I wasn't disorientedI hadn't been out long enough for that. â€Å"What's wrong?† Alice's eyes gleamed in the dim light of a reading lamp in the row behind us. â€Å"It's not wrong.† She smiled fiercely. â€Å"It's right. They're deliberating, but they've decided to tell him no.† â€Å"The Volturi?† I muttered, groggy. â€Å"Of course, Bella, keep up. I can see what they're going to say.† â€Å"Tellme.† An attendant tiptoed down the aisle to us. â€Å"Can I get you ladies a pillow?† His hushed whisper was a rebuke to our comparatively loud conversation. â€Å"No, thank you.† Alice beamed at up at him, her smile shockingly lovely. The attendant's expression was dazed as he turned and stumbled his way back. â€Å"Tell me,† I breathed almost silently. She whispered into my ear. â€Å"They're interested in himthey think his talent could be uselul. They're going to offer him a place with them.† â€Å"What will he say?† â€Å"I can't see that yet, but I'll bet it's colorful.† She grinned again. â€Å"This is the first good newsthe first break. They're intrigued; they truly don't want to destroy him'wasteful,' that's the word Aro will useand that may be enough to force him to get creative. The longer he spends on his plans, the better for us.† It wasn't enough to make me hopeful, to make me feel the relief she obviously felt. There were still so many ways that we could be too late. And if I didn't get through the walls into the Volturi city, I wouldn't be able to stop Alice from dragging me back home. â€Å"Alice?† â€Å"What?† â€Å"I'm confused. How are you seeing this so clearly? And then other times, you see things far awaythings that don't happen?† Her eyes tightened. I wondered if she guessed what I was thinking of. â€Å"It's clear because it's immediate and close, and I'm really concentrating. The faraway things that come on their ownthose are just glimpses, faint maybes. Plus, I see my kind more easily than yours. Edward is even easier because I'm so attuned to him.† â€Å"You see me sometimes,† I reminded her. She shook her head. â€Å"Not as clearly.† I sighed. â€Å"I really wish you could have been right about me. In the beginning, when you first saw things about me, before we even met† â€Å"What do you mean?† â€Å"You saw me become one of you.† I barely mouthed the words. She sighed. â€Å"It was a possibility at the time.† â€Å"At the time,† I repeated. â€Å"Actually, Bella† She hesitated, and then seemed to make a choice. â€Å"Honestly, I think it's all gotten beyond ridiculous. I'm debating whether to just change you myself.† I stared at her, frozen with shock. Instantly, my mind resisted her words. I couldn't afford that kind of hope if she changed her mind. â€Å"Did I scare you?† she wondered. â€Å"I thought that's what you wanted.† â€Å"I do!† I gasped. â€Å"Oh, Alice, do it now! I could help you so muchand I wouldn't slow you down. Bite me!† â€Å"Shh,† she cautioned. The attendant was looking in our direction again. â€Å"Try to be reasonable,† she whispered. â€Å"We don't have enough time. We have to get into Volterra tomorrow. You'd be writhing in pain for days.† She made a face. â€Å"And I don't think the other passengers would react well.† I bit my lip. â€Å"If you don't do it now, you'll change your mind.† â€Å"No.† She frowned, her expression unhappy. â€Å"I don't think I will. He'll be furious, but what will he be able to do about it?† My heart beat faster. â€Å"Nothing at all.† She laughed quietly, and then sighed. â€Å"You have too much faith in me, Bella. I'm not sure that I can. I'll probably just end up killing you.† â€Å"I'll take my chances.† â€Å"You are so bizarre, even for a human.† â€Å"Thanks.† â€Å"Oh well, this is purely hypothetical at this point, anyway. First we have to live through tomorrow.† â€Å"Good point.† But at least I had something to hope for if we did. If Alice made good on her promiseand if she didn't kill methen Edward could run after his distractions all he wanted, and I could follow. I wouldn't let him be distracted. Maybe, when I was beautiful and strong, he wouldn't want distractions. â€Å"Go back to sleep,† she encouraged me. â€Å"I'll wake you up when there's something new.† â€Å"Right,† I grumbled, certain that sleep was a lost cause now. Alice pulled her legs up on the seat, wrapping her arms around them and leaning her forehead against her knees. She rocked back and forth as she concentrated. I rested my head against the seat, watching her, and the next thing I knew, she was snapping the shade closed against the faint brightening in the eastern sky. â€Å"What's happening?† I mumbled. â€Å"They've told him no,† she said quietly. I noticed at once that her enthusiasm was gone. My voice choked in my throat with panic. â€Å"What's he going to do?† â€Å"It was chaotic at first. I was only getting flickers, he was changing plans so quickly.† â€Å"What kinds of plans?† I pressed. â€Å"There was a bad hour,† she whispered. â€Å"He'd decided to go hunting.† She looked at me, seeing the comprehension in my face. â€Å"In the city,† she explained. â€Å"It got very close. He changed his mind at the last minute.† â€Å"He wouldn't want to disappoint Carlisle,† I mumbled. Not at the end. â€Å"Probably,† she agreed. â€Å"Will there be enough time?† As I spoke, there was a shift in the cabin pressure. I could feel the plane angling downward. â€Å"I'm hoping soif he sticks to his latest decision, maybe.† â€Å"What is that?† â€Å"He's going to keep it simple. He's just going to walk out into the sun.† Just walk out into the sun. That was all. It would be enough. The image of Edward in the meadowglowing, shimmering like his skin was made of a million diamond facetswas burned into my memory. No human who saw that would ever forget. The Volturi couldn't possibly allow it. Not if they wanted to keep their city inconspicuous. I looked at the slight gray glow that shone through the opened windows. â€Å"We'll be too late,† I whispered, my throat closing in panic. She shook her head. â€Å"Right now, he's leaning toward the melodramatic. He wants the biggest audience possible, so he'll choose the main plaza, under the clock tower. The walls are high there. He'll wait till the sun is exactly overhead.† â€Å"So we have till noon?† â€Å"If we're lucky. If he sticks with this decision.† The pilot came on over the intercom, announcing, first in French and then in English, our imminent landing. The seat belt lights dinged and flashed. â€Å"How far is it from Florence to Volterra?† â€Å"That depends on how fast you drive Bella?† â€Å"Yes?† She eyed me speculatively. â€Å"How strongly are you opposed to grand theft auto?† A bright yellow Porsche screamed to a stop a few feet in front of where I paced, the word TURBO scrawled in silver cursive across its back. Everyone beside me on the crowded airport sidewalk stared. â€Å"Hurry, Bella!† Alice shouted impatiently through the open passenger window. I ran to the door and threw myself in, feeling as though I might as well be wearing a black stocking over my head. â€Å"Sheesh, Alice,† I complained. â€Å"Could you pick a more conspicuous car to steal?† The interior was black leather, and the windows were tinted dark. It felt safer inside, like nighttime. Alice was already weaving, too fast, through the thick airport trafficsliding through tiny spaces between the cars as I cringed and fumbled for my seat belt. â€Å"The important question,† she corrected, â€Å"is whether I could have stolen a faster car, and I don't think so. I got lucky.† â€Å"I'm sure that will be very comforting at the roadblock.† She trilled a laugh. â€Å"Trust me, Bella. If anyone sets up a roadblock, it will be behind us.† She hit the gas then, as if to prove her point. I probably should have watched out the window as first the city of Florence and then the Tuscan landscape flashed past with blurring speed. This was my first trip anywhere, and maybe my last, too. But Alice's driving frightened me, despite the fact that I knew I could trust her behind the wheel. And I was too tortured with anxiety to really see the hills or the walled towns that looked like castles in the distance. â€Å"Do you see anything more?† â€Å"There's something going on,† Alice muttered. â€Å"Some kind of festival. The streets are full of people and red flags. What's the date today?† I wasn't entirely sure. â€Å"The nineteenth, maybe?† â€Å"Well, that's ironic. It's Saint Marcus Day.† â€Å"Which means?† She chuckled darkly. â€Å"The city holds a celebration every year. As the legend goes, a Christian missionary, a Father MarcusMarcus of the Voltun, in factdrove all the vampires from Volterra fifteen hundred years ago. The story claims he was martyred in Romania, still trying to drive away the vampire scourge. Of course that's nonsensehe's never left the city. But that's where some of the superstitions about things like crosses and garlic come from. Father Marcus used them so successfully. And vampires don't trouble Volterra, so they must work.† Her smile was sardonic. â€Å"It's become more of a celebration of the city, and recognition for the police forceafter all, Volterra is an amazingly safe city. The police get the credit.† I was realizing what she meant when she'd said ironic. â€Å"They're not going to be very happy if Edward messes things up for them on St. Marcus Day, are they?† She shook her head, her expression grim. â€Å"No. They'll act very quickly.† I looked away, fighting against my teeth as they tried to break through the skin of my lower lip. Bleeding was not the best idea right now. The sun was terrifyingly high in the pale blue sky. â€Å"He's still planning on noon?† I checked. â€Å"Yes. He's decided to wait. And they're waiting for him.† â€Å"Tell me what I have to do.† She kept her eyes on the winding roadthe needle on the speedometer was touching the far right on the dial. â€Å"You don't have to do anything. He just has to see you before he moves into the light. And he has to see you before he sees me.† â€Å"How are we going to work that?† A small red car seemed to be racing backward as Alice zoomed around it. â€Å"I'm going to get you as close as possible, and then you're going to run in the direction I point you.† I nodded. â€Å"Try not to trip,† she added. â€Å"We don't have time for a concussion today.† I groaned. That would be just like meruin everything, destroy the world, in a moment of klutziness. The sun continued to climb in the sky while Alice raced against it. It was too brigh:, and that had me panicking. Maybe he wouldn't feel the need to wait for noon after all. â€Å"There,† Alice said abruptly, pointing to the castle city atop the closest hill. I stared at it, feeling the very first hint of a new kind of fear. Every minute since yesterday morningit seemed like a week agowhen Alice had spoken his name at the foot of the stairs, there had been only one fear. And yet, now, as I stared at the ancient sienna walls and towers crowning the peak of the steep hill, I felt another, more selfish kind of dread thrill through me. I supposed the city was very beautiful. It absolutely terrified me. â€Å"Volterra,† Alice announced in a flat, icy voice.